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The Glass Menagerie
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The Glass Menagerie

Chicago, 1944

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Literary Classic

  • Tragedy
  • Expressionism

What It’s About

A New Theater but Familiar Feelings

A family that, despite their love for one another, fail to understand each other is the tragedy of Tennessee Williams’ breakthrough play. In this brief dramatic masterpiece, Williams captures the tension between duty to those you love and the need to follow your dreams, complicated relationships between present and past, and feelings of isolation. Despite such familiar themes, this “memory play” shook the framework of American theater. In 1944, at a time when stodgy and predictable realism dominated Broadway, Williams created something new by combining the roles of character and narrator and using unusual dramatic conventions. His bold experimentation ushered in a wildly popular style of American drama. Despite the avant-garde nature of his expressionist dramatic techniques, they enhanced rather than detracted from the intensely real emotions his play portrayed. To this day, regular stage revivals are testament to the enduring power of this richly human family drama.

Summary

Scene One: A Family in the Past

The curtain rises on a grim tenement apartment that burns with “the fires of human desperation.” Tom Wingfield, who acknowledges himself to be both narrator and character, explains that the play is memory; as such, it is sentimental and unrealistic. He introduces his mother, Amanda Wingfield, and his sister, Laura Wingfield. As a result of a childhood illness, one of Laura’s legs is shorter than the other, and she wears a brace. Hovering over the scene is a photo of their absent father, Mr. Wingfield. Captured forever as the handsome and smiling young soldier, he seems to be gloating about his escape.

As the three family members sit down to eat dinner, Amanda berates Tom for his table manners and urges him to chew his food in a leisurely manner. Frustrated with her overbearing nit-picking, Tom lashes out. Although Laura tries to distract them from their argument by fetching dessert, Amanda urges Laura to remain seated so she can “stay fresh and pretty” for gentlemen callers. Amanda then launches into fond reminiscence about her past as a Southern belle who ...

About the Author

Tennessee Williams was born Thomas Lanier Williams on March 26, 1911 in Columbus, Mississippi. His father, Cornelius, was a traveling shoe salesman and alcoholic; his mother, Edwina, was the daughter of a reverend. Their marriage was unhappy. When Williams was eight, the family relocated to St. Louis, Missouri, where a discontented Williams began writing. He studied journalism at the University of Missouri, during which time he wrote poetry, plays and short stories for competitions. In 1931, he withdrew from college due to financial trouble and began work at the International Shoe Company. He was deeply dissatisfied with the work, and after suffering a nervous breakdown, he left the job. In 1937, the family committed his sister Rose to an asylum; fears of insanity haunted Williams for the rest of his life. He finished his education across two more institutions and in 1938 graduated from the University of Iowa with a degree in English. Williams wrote five plays in the 1930s, but finally achieved success with The Glass Menagerie in 1945; the play received rave reviews and several awards, launching Williams to fame. In 1947, A Streetcar Named Desire opened, for which Williams won a Pulitzer Prize. That same year, he met and fell in love with Frank Merlo, his partner for the next 16 years. In the 1950s, Williams saw a series of artistic and commercial successes with the adaptations of his plays for film and with six more hit plays, including Cat on a Hot Tin Roof. However, the 1960s proved tragic for Williams. In 1963, Frank Merlo died of cancer. Williams’s subsequent plays met with little success, and the depressed Williams increasingly abused alcohol and drugs. After his brother hospitalized him in 1969, he wrote several more plays and in 1975 published his Memoirs. At age 71, Williams choked to death alone in a hotel room on February 25, 1983. The author of 28 plays, two novels and nine screenplays, today Williams is remembered as one of America’s greatest playwrights.


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